Victor hugo parents

French writer, poet and playwright Date of Birth: Country: France

Biography of Victor Hugo

Victor Hugo () was a French writer, poet, and playwright. He is considered one of the most widely read French novelists in the world and is revered by his compatriots as a great national poet.

He was also a reformer of French verse and dramatic writing, as well as a patriotic publicist and democrat politician.

Victor Hugo's personality is characterized by his versatility. He is renowned as a master of graphic arts and an indefatigable illustrator of his own works. However, what truly defines this multifaceted individual and animates his activities is his love for humanity, compassion for the underprivileged, and his call for mercy and brotherhood.

Certain aspects of Hugo's creative legacy have become dated, such as his grandiose oratorical style, verbose rhetoric, and penchant for striking antithesis in thought and imagery.

However, as a democrat and opponent of tyranny and violence against the individual, he remains a contemporary figure who will continue to resonate in the hearts of many generations of readers.

Hugo's commitment to the defense of the marginalized and victims of social and political injustice is best exemplified in his historical novel, "The Hunchback of Notre-Dame." He began writing this work in July and completed it in February Hugo's interest in the distant past was influenced by three cultural factors of his time: the widespread use of historical themes in literature, the romantic interpretation of the Middle Ages, and the struggle to preserve historical and architectural monuments.

The romantic fascination with the Middle Ages emerged as a reaction to the classical focus on antiquity.

Victor hugos exile Three of its sides and the roof are of glass. They took this man and manacled him. On the 22nd of May Victor Hugo died. Silvina Ocampo.

It also sought to overcome the dismissive attitude towards the medieval era that had been propagated by Enlightenment writers of the 18th century. These writers considered the Middle Ages a period of darkness, ignorance, and irrelevant to the progressive development of mankind. The romantics, however, saw the Middle Ages as extraordinary and opposed to the mundane existence of bourgeois life.

They believed that this era offered encounters with whole, larger-than-life characters, strong passions, heroic deeds, and martyrdom for beliefs. The mysterious allure of the Middle Ages, combined with the limited knowledge of this period, as well as the use of folklore and legends, held special significance for romantic writers.

Hugo articulated his view on the role of the medieval era in his author's preface to the drama "Cromwell" in This preface became a manifesto for the democratically inclined French romantics and expressed Hugo's aesthetic position, which he held throughout his life.

Hugo begins the preface by presenting his own concept of the history of literature in relation to the history of society. He argues that the first major epoch in the history of civilization is the primitive era, when humans, for the first time, separated themselves from the universe, began to understand its beauty, and expressed their admiration for the cosmos through lyric poetry, the dominant genre of the primitive era.

Hugo sees the uniqueness of the second epoch, the classical era, in the fact that it is during this time that humans begin to create history, establish societies, and develop self-awareness through their connections with others.

The epic genre dominates this era.

Victor hugo short biography We saw the island of Portsea, where Dickens was born, and got a glimpse of the spires of Portsmouth as we passed; then came the Isle of Wight and the quaint town of Cowes. I made a bright joke on the latter place as it was pointed out to me by my Jersey friend, but it went for naught. Hugo's interest in the distant past was influenced by three cultural factors of his time: the widespread use of historical themes in literature, the romantic interpretation of the Middle Ages, and the struggle to preserve historical and architectural monuments. All his friends said so; his honor was at stake.

The medieval era, according to Hugo, marks a new epoch imbued with a new worldview - Christianity, which sees human beings as constantly engaged in a struggle between earthly and heavenly, mortal and immortal, animalistic and divine elements. Hugo describes human nature as composed of two beings: one mortal and one immortal, one earthly and one celestial, one bound by desires, needs, and passions, and the other soaring on the wings of enthusiasm and dreams.

The struggle between these two elements within the human soul is inherently dramatic: "what is drama, if not this daily contradiction, this constant conflict between two opposing forces, perpetually confronting and challenging humanity from the cradle to the grave?"

In light of this, Hugo asserts that everything that exists in nature and society can be reflected in art.

Art should not limit itself but, by its very essence, should be truthful.

Victor hugo biography cm 200 Gavroche knew where there was a fine one that could be bought cheap. They took this man and manacled him. The book also inspired a renewed appreciation for pre-renaissance buildings, which thereafter began to be actively preserved. He knew history by heart and toyed with it; politics was his delight.

However, this requirement of truth in art is somewhat conditional and characteristic of the romantic writer. While stating that drama is a mirror reflecting life, Hugo emphasizes the distinctive nature of this mirror. He argues that it should "collect and condense the rays of light, turning reflections into light, and light into flames!" The truth of life must undergo a powerful transformation and magnification in the artist's imagination, which is meant to romanticize reality and reveal the eternal struggle between the polar forces of good and evil beneath its mundane surface.

Hence, this call to portray extremes is one of the cornerstones of Hugo's aesthetics.

In his works, the writer consistently employs contrast, exaggeration, and grotesque juxtaposition of the grotesque and the beautiful, the comic and the tragic.