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Lorraine Hunt Lieberson
American mezzo-soprano
Lorraine Hunt Lieberson (March 1, &#; July 3, ) was an American mezzo-soprano. She was noted for her performances of both Baroque era and contemporary works.
Lorraine hunt lieberson death wish coffee caffeine content Categories : births deaths American operatic mezzo-sopranos American classical violists American women violists Grammy Award winners Deaths from breast cancer in the United States Deaths from cancer in New Mexico 20th-century American women opera singers 21st-century American women 20th-century American violists. She was too important for that. A singer who knew what was important in life, Hunt Lieberson cancelled all of her engagements six years ago to care for her dying sister. Career [ edit ].Her career path to becoming a singer was unconventional – formerly a professional violist, Lieberson did not shift her full-time focus to singing until she was in her thirties.
Life
One of four children,[1] Lorraine Hunt was born to parents who were both involved with opera in the San Francisco Bay Area.
Her mother, Marcia, was a contralto and music teacher and her father, Randolph, taught music in high school and college. She performed as a child in Engelbert Humperdinck's Hänsel & Gretel, as a gingerbread boy. She returned to opera after taking part in a charity performance of the same work at a prison, this time taking Hänsel's role.[2] After this performance, she auditioned for the Met, at age
While rehearsing in his opera Ashoka's Dream at Santa Fe in , she met composerPeter Lieberson.
Lorraine hunt lieberson death wish coffee And she achieved this by being the most alive singer I have ever witnessed. Shop For Gifts. A significant lesson in the extraordinary career of Hunt Lieberson was this willingness to be liberated and to put her trust only in those who could effect such liberation. By Mark Swed.She married him two years later, changing her name to Lorraine Hunt Lieberson.[3] Peter Lieberson's song cycles Rilke Songs and Neruda Songs, both available on CD, were composed especially for his wife.
Hunt Lieberson died from breast cancer in Santa Fe, New Mexico on July 3, , at the age of Only a few years previously, she had nursed her sister through her final illness with the same disease.[3] Her husband fell victim to cancer too, falling ill in and dying in April [4]
Career
Hunt Lieberson began her musical career as a violist, and became principal viola with the San Jose Symphony.
At age 26, she turned to studying voice seriously at the Boston Conservatory of Music. Her professional career as a singer began in , and in she made her operatic debut after meeting Peter Sellars, appearing in his production of Handel's Giulio Cesare. She began her career as a soprano, singing roles such as Handel's Theodora and Donna Elvira in Sellars' notorious production of Don Giovanni, but soon gravitated to the mezzo-soprano range.
She began working with Craig Smith at Emmanuel Music as a violist, then sang in the chorus and began taking leading roles.[5] Her work with Emmanuel continued throughout the s and s, and a recording of her work there in Bach and Handel was released in by Avie Records, "Lorraine at Emmanuel."
Her debut performance at the Metropolitan Opera came during the – season, in eleven performances in the role of Myrtle Wilson in the world premiere of John Harbison's The Great Gatsby (first performance on December 20, ).[1] During this same season, she also appeared as Sesto in the New York City Opera's production of Mozart's La clemenza di Tito, as well as playing La Pelerin in Kaija Saariaho's Clemence at the Salzburg Festival.
Her only other appearances at the Met came in two gala performances where she sang the spiritual "Deep River" (), and the fourth act of Bizet's Carmen in , and finally four performances in February, in the role of Dido in Berlioz's Les Troyens. She was scheduled to sing the role of Orfeo in a new production of Gluck's Orfeo ed Euridice. On her death, she was replaced by countertenorDavid Daniels, and the four performances run in May were dedicated to her memory.
Among the roles she sang during her career are Sesto (Mozart's La clemenza di Tito), Carmen (Bizet's opera of the same name), Beatrice (Berlioz's Beatrice et Benedict), Mélisande in Pelléas et Mélisande (concert performances under Bernard Haitink), Médée (title role of Charpentier's Médée, with William Christie and Les Arts Florissants), Phèdre (Jean-Philippe Rameau's Hippolyte et Aricie), Theodora and Irene (Handel's Theodora; Theodora at Göttingen with Nicholas McGegan, Irene at Glyndebourne with Christie), Minerva (Monteverdi's Il ritorno d'Ulisse in patria with René Jacobs), Ottavia (Monteverdi's L'incoronazione di Poppea with Marc Minkowski) and the title roles of Handel's Ariodante and Serse.
Lorraine hunt lieberson death wish coffee company Download as PDF Printable version. By the end of , most observers thought her recovery was complete, and she went on to some of her greatest triumphs. By Matthew Westphal. Build-Your-Own Playbill.She made a number of recordings, including works of Bach and Handel, as well as modern works.
Those who worked with Hunt Lieberson have spoken of her intense commitment to the detail of bringing a piece to life. Canadian vocal coach Denise Massé said in a New Yorker magazine interview,
Lorraine is like Callas in her determination to dig as deeply as possible into the character — to find all the grain in the wood.
In June , Hunt Lieberson made her last appearance in Amsterdam, performing the Sellars staging of Bach's Ich habe genug.
Her final public performances were given on March 16, 17, and 18, , at Orchestra Hall in Chicago, in Mahler's Symphony No. 2 (Resurrection) with the Chicago Symphony Orchestra and Chorus,[6] conductor Michael Tilson Thomas and soprano Celena Shafer.
In , she posthumously received the Grammy Award for Best Classical Vocal Performance for her recording of her husband's Rilke Songs, and in won again posthumously for her performance of her husband's Neruda Songs.
Recordings
Besides those mentioned above, her most recent recordings include two of Johann Sebastian Bach's Cantatas, BWV 82 (Ich habe genug) and BWV (Mein Herze schwimmt im Blut), which made the New York Times top 10 classical albums of the year and No.
3 on the Billboard classical chart. Musical America recognized her as the Vocalist of the Year.
In the late s and early s, before her marriage to Peter Lieberson, Lorraine Hunt rose to prominence in the repertoire of George Frideric Handel. She performed and recorded opera and oratorios with the Göttingen International Handel Festival, under Nicholas McGegan's direction.
Her recordings include Ariodante, Serse, Messiah (as a soprano), Clori, Tirsi e Fileno, Theodora, Susanna, and two CDs of Handel arias. For the oratorio Theodora, she sang the roles of both Irene and the title character; she has also recorded Henry Purcell's incidental music for The Fairy-Queen and the title role of Dido and Aeneas with McGegan.
Death wish coffee discount code Recordings [ edit ]. Wikidata item. Lorraine is like Callas in her determination to dig as deeply as possible into the character — to find all the grain in the wood. But Hunt Lieberson was no ordinary singer.Hunt Lieberson's debut at Wigmore Hall, a performance of lieder by Schumann (Frauen-Liebe und Leben, Op. 42) and Brahms (Op. 57) with the pianist Julius Drake, was released as a live recording.
References
External links
Obituaries and appreciation
- Lloyd Schwartz, Fresh Air appreciation, July 7,
- Radio Open Source tribute "Lorraine Hunt Lieberson Remembered", July 13,
- Alex Ross, "Fervor: Remembering Lorraine Hunt Lieberson.", The New Yorker, September 25, issue
- Frank Villella, "Remembering Lorraine Hunt Lieberson", From the Archives blog, March 18,